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	<title>Comments on: Leblanc or Selmer &#8211; Best clarinet for jazz?</title>
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	<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/</link>
	<description>Jazz-Clarinet, all things Jazz and Clarinet</description>
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		<title>By: john boughton</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-3403</link>
		<dc:creator>john boughton</dc:creator>
		<pubDate>Fri, 02 Jul 2010 03:49:42 +0000</pubDate>
		<guid isPermaLink="false">#comment-3403</guid>
		<description>Hi I think I have an RI selmer paris clarinet. My father left it to me. I think the serial no is L1101. It has not been used in years but looks pretty good. I might sell or at least more info about this clarinet. John</description>
		<content:encoded><![CDATA[<p>Hi I think I have an RI selmer paris clarinet. My father left it to me. I think the serial no is L1101. It has not been used in years but looks pretty good. I might sell or at least more info about this clarinet. John</p>
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		<title>By: Will H.</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2922</link>
		<dc:creator>Will H.</dc:creator>
		<pubDate>Wed, 26 May 2010 15:04:27 +0000</pubDate>
		<guid isPermaLink="false">#comment-2922</guid>
		<description>Hey just thought I&#039;d throw this out the but Selmer Signant. Its about 50-60 years old its got a good sound good price about 350-450 and its a classic. Also its gunna be hard to find sorry:P. Vandoren B45 Vandoren 3 1/2 and Selmer Signant. Also I play Brass, Jazz, and some concert so all around a good horn.</description>
		<content:encoded><![CDATA[<p>Hey just thought I&#8217;d throw this out the but Selmer Signant. Its about 50-60 years old its got a good sound good price about 350-450 and its a classic. Also its gunna be hard to find sorry:P. Vandoren B45 Vandoren 3 1/2 and Selmer Signant. Also I play Brass, Jazz, and some concert so all around a good horn.</p>
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		<title>By: Tony F.</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2854</link>
		<dc:creator>Tony F.</dc:creator>
		<pubDate>Sun, 09 May 2010 12:28:30 +0000</pubDate>
		<guid isPermaLink="false">#comment-2854</guid>
		<description>I play an 80+ year old Jerome Thibouville-Lamy clarinet for everything, because for me it&#039;s the best sounding and best handling instrument I&#039;ve come across. Vandoren B45 and Legere 3.5&#039;s.</description>
		<content:encoded><![CDATA[<p>I play an 80+ year old Jerome Thibouville-Lamy clarinet for everything, because for me it&#8217;s the best sounding and best handling instrument I&#8217;ve come across. Vandoren B45 and Legere 3.5&#8242;s.</p>
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		<title>By: Geoffrey</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2780</link>
		<dc:creator>Geoffrey</dc:creator>
		<pubDate>Wed, 21 Apr 2010 20:57:33 +0000</pubDate>
		<guid isPermaLink="false">#comment-2780</guid>
		<description>My advice would be to try as many instruments as possible.  Most reputable music stores are more than happy to let you try out various instruments. If you&#039;re looking for a distinct sound, I found what I was looking for in my Selmer Recital which is made of heavier grenadilla wood and has a narrow 14.35mm bore. Warm, focussed but stropng sound that&#039;s not easily dominated by the saxes.
Good luck.
Geoffrey</description>
		<content:encoded><![CDATA[<p>My advice would be to try as many instruments as possible.  Most reputable music stores are more than happy to let you try out various instruments. If you&#8217;re looking for a distinct sound, I found what I was looking for in my Selmer Recital which is made of heavier grenadilla wood and has a narrow 14.35mm bore. Warm, focussed but stropng sound that&#8217;s not easily dominated by the saxes.<br />
Good luck.<br />
Geoffrey</p>
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		<title>By: Andy Sherwood</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2491</link>
		<dc:creator>Andy Sherwood</dc:creator>
		<pubDate>Thu, 11 Feb 2010 15:37:35 +0000</pubDate>
		<guid isPermaLink="false">#comment-2491</guid>
		<description>Believe it or not, I own two Pete Fountain Leblanc clarinets, two Buffet R-13s and a Leblanc Concerto II. They are all great clarinets in various respects. I really believe that if you play classical AND jazz, the Buffet or Concerto is the way to go. Unless, you want to switch back and forth. I&#039;ve found that the Pete Fountain model is not the best for playing classical. It&#039;s great for Dixieland. Between the Buffet and Concerto, the Buffet has the bigger sound. The Concerto could be considered to have a smoother sound throughout all registers. Also, I prefer the key work on the Concerto; it feels smoother. The Buffet has been and continues to be highly regarded by classical clarinetists everywhere. The Buffet would be a very excellent choice.</description>
		<content:encoded><![CDATA[<p>Believe it or not, I own two Pete Fountain Leblanc clarinets, two Buffet R-13s and a Leblanc Concerto II. They are all great clarinets in various respects. I really believe that if you play classical AND jazz, the Buffet or Concerto is the way to go. Unless, you want to switch back and forth. I&#8217;ve found that the Pete Fountain model is not the best for playing classical. It&#8217;s great for Dixieland. Between the Buffet and Concerto, the Buffet has the bigger sound. The Concerto could be considered to have a smoother sound throughout all registers. Also, I prefer the key work on the Concerto; it feels smoother. The Buffet has been and continues to be highly regarded by classical clarinetists everywhere. The Buffet would be a very excellent choice.</p>
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		<title>By: Paul Stein</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2348</link>
		<dc:creator>Paul Stein</dc:creator>
		<pubDate>Tue, 15 Dec 2009 01:39:30 +0000</pubDate>
		<guid isPermaLink="false">#comment-2348</guid>
		<description>Artie Shaw played a Conn 444N large bore model. But it&#039;s the Indian, not the arrow, as Ted Williams put it so well. Some people are better with Buffet or Yamaha. Personally, I prefer Conn or Selmer.</description>
		<content:encoded><![CDATA[<p>Artie Shaw played a Conn 444N large bore model. But it&#8217;s the Indian, not the arrow, as Ted Williams put it so well. Some people are better with Buffet or Yamaha. Personally, I prefer Conn or Selmer.</p>
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		<title>By: Mike McKeon</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2307</link>
		<dc:creator>Mike McKeon</dc:creator>
		<pubDate>Tue, 24 Nov 2009 07:07:38 +0000</pubDate>
		<guid isPermaLink="false">#comment-2307</guid>
		<description>For what it is worth as someone mentioned earlier - reed and mouthpiece are more important. I play mainly Jazz but also have performed classical.
I owned a pair of Leblanc full Boehm back in early 60s - wish I still had them now, my memory is they were wonderful.
I now have a pair of Buffet &#039;Prestige&#039; claris [3/4 Boehm] - good thing is the extra Eb lever key on LH cluster.
THE BEST reeds by miles and kilometers are Reeds Australia - I use the top of range and virtually every one in the box works well and out lasts any other brand.</description>
		<content:encoded><![CDATA[<p>For what it is worth as someone mentioned earlier &#8211; reed and mouthpiece are more important. I play mainly Jazz but also have performed classical.<br />
I owned a pair of Leblanc full Boehm back in early 60s &#8211; wish I still had them now, my memory is they were wonderful.<br />
I now have a pair of Buffet &#8216;Prestige&#8217; claris [3/4 Boehm] &#8211; good thing is the extra Eb lever key on LH cluster.<br />
THE BEST reeds by miles and kilometers are Reeds Australia &#8211; I use the top of range and virtually every one in the box works well and out lasts any other brand.</p>
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		<title>By: lars karlsson</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-2000</link>
		<dc:creator>lars karlsson</dc:creator>
		<pubDate>Tue, 30 Jun 2009 20:51:55 +0000</pubDate>
		<guid isPermaLink="false">#comment-2000</guid>
		<description>Hi

I am Lasse from Swden and I play a Frank Hammerschmidt Cocobolo-clarinet.It haas a big sweet sound and it projects really well. I use a 5JB-mouthpiece with Legere 31/2 reeds.</description>
		<content:encoded><![CDATA[<p>Hi</p>
<p>I am Lasse from Swden and I play a Frank Hammerschmidt Cocobolo-clarinet.It haas a big sweet sound and it projects really well. I use a 5JB-mouthpiece with Legere 31/2 reeds.</p>
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		<title>By: Shelley Anderson</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-1958</link>
		<dc:creator>Shelley Anderson</dc:creator>
		<pubDate>Wed, 24 Jun 2009 07:18:03 +0000</pubDate>
		<guid isPermaLink="false">#comment-1958</guid>
		<description>Kind of sad.  I&#039;m not a player.  I made Leblanc clarinets for 20 years.  I loved my job and was proud of the product I helped produce.  Conn-Selmer bought us and 3 years later shut us down and moved all operations to their Indiana facility (Leblanc was located in Kenosha, WI).  I guess all I&#039;m trying to say is I hope the people that still make clarinets under the name that I WAS so proud of still produce them with the integrity that we did and I also hope they are keeping YOU THE PLAYER in mind.</description>
		<content:encoded><![CDATA[<p>Kind of sad.  I&#8217;m not a player.  I made Leblanc clarinets for 20 years.  I loved my job and was proud of the product I helped produce.  Conn-Selmer bought us and 3 years later shut us down and moved all operations to their Indiana facility (Leblanc was located in Kenosha, WI).  I guess all I&#8217;m trying to say is I hope the people that still make clarinets under the name that I WAS so proud of still produce them with the integrity that we did and I also hope they are keeping YOU THE PLAYER in mind.</p>
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		<title>By: Rainer</title>
		<link>http://www.jazz-clarinet.com/2005/04/11/leblanc-or-selmer-best-clarinet-for-jazz/comment-page-1/#comment-533</link>
		<dc:creator>Rainer</dc:creator>
		<pubDate>Wed, 09 Jul 2008 18:55:45 +0000</pubDate>
		<guid isPermaLink="false">#comment-533</guid>
		<description>I bout my Buffet Crampon Clarinet in the year 1973 and I am still satisfied with it. I first played classic clarinet and since a few years I play jazz. All the best wishes Rainer</description>
		<content:encoded><![CDATA[<p>I bout my Buffet Crampon Clarinet in the year 1973 and I am still satisfied with it. I first played classic clarinet and since a few years I play jazz. All the best wishes Rainer</p>
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