Does anyone use an albert system clarinet for jazz? I’ve already talked with a couple of players who swear by them. (And, moreover, I was impressed by the projection without a mic over a crowded dance floor.) It’s pretty easy to find a cheap fixer-upper on ebay, so I’ve been thinking about taking the plunge. Any thoughts?
“Can anyone explain to me how the “pending” thing for posts works? I can never get a post up.”
E – Basically, I need to approve them. And your “posts” were kind of either already answered in previous articles (ie: is the E11 good to learn on…..any clarinet is good to learn on), or is $80 good for a B45 (dunno, check ebay?).
From Yahoo News:
“Washington – Whether you loved or hated the classical music played at President Barack Obama’s inauguration, unless you were sitting within earshot of the celebrated quartet, what you heard was a recording made two days earlier.”
“They were very insistent on playing live until it became clear that it would be too cold,” said Florman in a telephone interview Thursday night.”
Yeah, I don’t blame them at all. It was a great John Williams arrangement though. Here is the actual performance.
From the LA Times
“Mitchell Lurie, a world-renowned clarinetist and clarinet teacher who taught for many years at USC and the Music Academy of the West in Santa Barbara, has died. He was 86.”
Another titian of the Clarinet passes on.
I’ve been playing the clarinet on and off for seven years. I own a student Buffet B10 but I feel the tone quality and the feel of the keys have its limitations. I’m renting a wood selmer 10. The feel of it and the tone quality sounds much better than my plastic clarinet. Selmer has a richer tone and I feel comfortable with the keys. I’m thinking of getting a better wood clarinet. I’m deciding between a Buffet E13 or R13, considered Buffet makes the best clarinets. However, I still had some doubts since I did not have the best experience with my B10. I know it would be best to try them out, but I’d like to know if anyone can give me any suggestions of which brand or model I should go for. I also like to know which actually might sound better, the R13 or the Selmer 10. Or if there’s any great selmer model I could look for.
I basically play classical, but I also like to play some Jazz.
does anybody played on the gonzalez “for our friends” reeds? I’ve heard pretty good things about them, and only one comment about not-so-good responsiveness. Supposedly they have a high percentage of playable reeds per box and the cane is organically grown and at least 7 years aged. I just need to buy more reeds and I want to try something besides v12s and hand-me-down reeeds (I really need to start saving them, too).
Does anybody have their own opinions?
I’m trying out a few mouthpieces – a Vandoren M13, M15, 5JB, and B45. Does anyone have any suggestions for reeds that might work well with these? I have an R13 and play mostly jazz/big band and some classical.
This video was making the rounds on various music email lists.
While its a great performance, it is still isn’t as cool, in my book, as Beatboxing on the Flute.
Dubya writes “what are the differences in hard rubber vs wood for clarinets? I know plastic is the student model material, but I’ve seen pro stuff in both of the others. Is there a quality difference, or is it more up to preference? What would guide those preferences?”
I can’t think of any “Pro” clarinets that are made of rubber. Never heard of such a thing. There are clarinets that are made of wood, wood and carbon fiber (called Greenline by Buffet), or ABS Resin (Plastic). None of these are rubber. Wood is the way to go. If you live in an area where cracking could be a problem, or are playing in situations where cracking might happen, the wood/carbon fiber is the way to go. Plastic is for student models. Wood simply gives you a better sound, and the cracking potential is very low. So get a wood clarinet.
Aaron writes “Hi, my names Aaron and have been playing my clarinet for 6 years. I started on a Buffet E 11 and have finally convinced my mom to get me a R 13. I tried it out with a B 45 but, its a little resistant. Could someone makes any suggestions for good mouthpiece reed combos that would get a me a dark sound. I play mainly classical. If you want to know what I need. I need a reed mouthpiece combo so I can play Percy Grainger’s Molly on the Shore without resistance. Thanks”
There are a number of mouthpieces to try. Fobes, Vandoren, etc, etc. You should go to a local music store and try a bunch out. If you don’t live by one, try the Woodwind/Brasswind. They have a reasonable return policy on mouthpieces.