Demnitz Scale & Chord Studies in BinaB format

Ian Ross Drummond writes “In the BIABFSG files section is a folder, which has within it a complete book of jazz guitar studies. I happen to possess this book and the BB files have made the manuscript ‘come alive’ for both me and my students. I wanted to contribute therefore a standard woodwind text in BB form to continue this worthy tradition. The Demnitz Clarinet studies are a ‘standard text’ for the clarinet and ties in nicely with the ‘scale project’ as a course of study to develop basic instrumental technique upon an instrument; in this case, the Clarinet.


I want to make this important point: – TO PLAY THESE STUDIES, POSSESSION OF THE MUSIC IS ESSENTIAL. (I used the Shirmer edition although there are others.) The notation will not display correctly in BB but will sound correctly and I have made no attempt to alter this because the music should, in my opinion, be bought!”

Now I have to state an apology. I am no expert in the field of harmony and many of the more knowledgeable members of BIABFSG will doubtless find fault with these files and will be perfectly entitled to do so!
Now to the files themselves! The musical purist will not approve of Demnitz etudes done in this way! I teach students from age 7 to 18 in a culture where ‘western music’ is rock, pop, rap etc, etc. (I have ‘plugged in’ to this perception to try and make the studies attractive to my students.) The files are for young students to hopefully enjoy practicing these etudes with their own computers at home or in a group situation at school, college etc. I have made no attempt whatsoever to make these studies ‘Classical’ or ‘Serious’ (I hate that type of labelling in music) so be aware that the files use standard BB12 styles from jazz to hip-hop. In the original Demnitz text no chords are indicated hence the potential for harmonic controversy. Mature BB users are aware of the difficulties of key signatures, dynamics and tempo changes in BB and the limitations in this regard impact on the files themselves. Nevertheless, I hope that the members, and clarinettists in particular, will find these files of interest and use.


Ian Ross Drummond


Kuwait City May 2003


PS. TO PLAY THESE STUDIES, POSSESSION OF THE MUSIC IS ESSENTIAL!”

NOTE: These are available via groups.yahoo.com. Look for the Band in a Box group.

Is it wood or resonite??

akakoa writes “I have a Selmer Signet 100 series B flat clarinet. It’s serial number is 95593 and it was made in the USA.

Is this clarinet wood or resonite??”

Good question. I don’t know much about Selmer Clarinets. But, it’s usually easy to tell if a clarinet is wood or resonite. Maybe take it to a shop and have someone confirm what exactly it is.

Of course, we really want to know, does it BLEND.

Eddie Daniels Transcribed Solos

Mike Braverman was kind enough to contribute 4 Eddie Daniels Solos to Jazz-Clarinet. Thanks Mike! Great work!

  •   Shine - Eddie Daniels Solo (66.7 KiB, 1,250 hits)
    You do not have permission to download this file. Please either login or create an account first.


  •   As Long As I Live - Eddie Daniels Solo (46.9 KiB, 980 hits)
    You do not have permission to download this file. Please either login or create an account first.


  •   Let's Dance - Eddie Daniels Solo (40.9 KiB, 1,107 hits)
    You do not have permission to download this file. Please either login or create an account first.


  •   F Blues - Eddie Daniels Solo (32.5 KiB, 1,394 hits)
    You do not have permission to download this file. Please either login or create an account first.


Clarinet Mouthpieces

“Thanks for providing such a good forum on the Web with your sax and clarinet forums. I check in on them from time to time.


I was wondering if I could be so forward as to ask you for your opinion. I am an intermediate level tenor saxophone player and clarinet player. I have a good equipment set up on my primary instrument (the saxophone, an old Mark VI that I have owned since 1978), but alas, I am still playing on an old student model Bundy. I am one of these players who played in high school and college, but then quit for some years. However, now for the past six months or so, I have been getting back into playing. When I played clarinet in college it was really just for doubling on parts in the jazz band.


Some day soon, when I have some additional money, I would like to buy a
Buffet or Selmer clarinet. My question for you in the interim though, is that I now need to buy a new clarinet mouthpiece, and I noticed your
recommendation for the Vandoren B45, which my local music store here in
Phoenix carries. However, I was just curious. I know that you like your
Ronald Caravan mouthpiece very much, and I saw that you have an
address/phone link for his mouthpieces. Are these pieces generally
custom-made-type pieces that are higher-end and expensive? I was just
curious, and thought I would ask you. Also, do you feel that the Caravan pieces are far superior to the Vandoren product?


I’d understand if you don’t know much about the Caravan current prices, but I just wanted to see if you REALLY liked it a lot better than the B45? My understanding is that the B45 is a very good student-type mouthpiece.
Mouthpieces are such a personal thing. I believe I bought the clarinet mouthpiece from Caravan on a whim. It was because I was going to get one of his saxophone mouthpieces, and saw that he had a clarinet mouthpiece, and I had money and……what the hell. It’s actually the only caravan mouthpiece I use, the other two are in a box somewhere in my studio.

The B45 is a good general purpose mouthpiece. I think I was looking for something a little darker and fuller. I just happened that the Caravan fit the bill and I’ve really never wanted to try anything else. Though, I did play a Selmer clarinet with the Caravan and it sounded Bad.

I’d recommend trying a bunch of mouthpieces, and have someone else listen or record yourself playing them. Some others that I hear are good are Clark Fobes and Borbeck mouthpieces.

How I Learned To Play Clarinet

I tell this story to all my students when they start taking lessons. It is a story about me and how I got introduced to the clarinet. It is all true, and it might be slightly embellished but…..hey, it’s a good story.I started my musical career in the 4th grade when the band teacher, Mr. Alfono (spelling?), came to my class and gave use the 20 minute “lets go band” talk. I wanted to try it. What instrument though….? As I remember it, I wanted to do either saxophone or clarinet. He said something like “well, if you start on Clarinet then don’t like it, you can switch to saxophone”. Cool. I got a clarinet then. Don’t remember anything about band after that. It was something to get out of class for. When I went to junior high school (7-8 grade), I switched to bass clarinet. Not sure why. Perhaps I didn’t like all the competition? I played bass clarinet until my freshmen year of highschool, then the junior high wanted the bass clarinet back. I switched to Tenor saxophone then, and my clarinet days seemed to be behind me….

That was, until I reached college. Funny thing is that playing in big bands, all of a sudden parts start saying “Tenor Saxophone/Clarinet” or “Alto Saxophone/Clarinet/Flute”. Well, when started dabbling in clarinet at DVC, but was bad at it. When I started at CSUH , I somehow got placed as lead alto in the second big band. Thats cool, but we had to do this arrangement of “American” (something, can’t remember the name) by Toshiko Akiyoshi. It was a trombone feature, and the lead alto part had a nasty clarinet line. Spent a lot of time working on that. We played it for the winter concert, and I thought that the clarinet would end up in the back of my school locker again…..never to be taken out.

Enter Tim Smith. He was the wind ensemble director at that time. I had done an audition for him in the fall, but I got the impression that he didn’t need or want me in the band. Well, he did now for some reason. He wanted me to play in his band. I said, well, ok, next quarter. During finals he stalked me and finally dragged me into his office.

“So, you are playing in my next quarter”. Not a question, a statement of fact. I was doomed.

“Um, yeah. But it seems you have a lot of saxophones already in the band.” Please please find me a way out of this!

“Yeah, what else do you play?”

“Well, I play a little flute.”

“Good good, what else?”

“And a little clarinet..”

“Ah! Clarinet! Excellent, you can play clarinet in my band.”

Great. Not. He proceeded to give me music, and later I think it was all planned. Tim Smith plans things out WAY in advance, and that especially goes for his assigning of parts in band. So, now I was trapped. I was able to convince him that I needed a better clarinet, the Noblet (No play) wasn’t doing it for me. I was able to get a Buffet clarinet out of the instrument checkout guy, and proceeded to go on winter break, not even considering practicing my music.

First day of classes. Wind Ensemble. At that time, there was only ONE Wind Ensemble (or symphonic band, or whatever you want to call it). I was clarinettist number 6. Tim Smith has a policy of rotating the parts, so, everyone plays different parts (IE: 1st, 2nd, 3rd) on different songs. He also likes to sightread for the first 10-15 minutes in the period. That first day of band was sheer terror. I knew how to play the notes on the page……on saxophone. My brain proceeded to freeze at all the little black dots on the page. I was doomed. My ego! My fragile ego! With like less than 5 minutes to in the class, this other clarinetist, real cocky and real good, turns to me and says “Sounds good man! But play louder, I can’t hear ya!” Da! I wasn’t playing.

I endured the class for about 2 weeks like this. I was in panic mode, trying to figure out fingerings, playing in tune. I was hopelessly in over my head.

I decided after like the 2nd week to talk to Tim.

“I don’t think this is working out” I said. I wanted out of clarinet. Badly.

“Why don’t you talk to Bill, he might give you some pointers on clarinet.” Bill Wolhmacher, clarinet teacher and department head. Ok, what the hell, I’d go talk with Bill.

That was actually the turning point there. Bill was very helpful in showing me clarinet, and I later learned he played saxophone in the US Marine band (the President’s Band) because there were no open clarinet seats, just a saxophone one. So, my talking with Bill began concurrent saxophone/clarinet lessons for the next few years. It was actually a good thing since the saxophone teacher there at the time, Bill Trimble, was rarely attended his scheduled lessons and generally didn’t give a shit about CSUH, but thats another story. I went to saxophone lessons. I LEARNED at my clarinet lessons.

Now, as I look back nearly 10 years later, I’m glad I stuck with clarinet. I really enjoy playing it!