“Technology is changing the very nature of not just music consumption but how music is written and produced. People need to know that they’re being both manipulated by music technology and missing out on a full music experience. Alan Cross shares the subtleties of today’s music delivery systems and questions what it means for the future of music.”
John Williams is a living national (world) treasure.
From intellectualtakeout.org, this article was very very good.
“Throughout grade school and high school, I was fortunate to participate in quality music programs. Our high school had a top Illinois state jazz band; I also participated in symphonic band, which gave me a greater appreciation for classical music. It wasn’t enough to just read music. You would need to sight read, meaning you are given a difficult composition to play cold, without any prior practice. Sight reading would quickly reveal how fine-tuned playing “chops” really were. In college I continued in a jazz band and also took a music theory class. The experience gave me the ability to visualize music (If you play by ear only, you will never have that same depth of understanding music construct.)”
Interesting article about preserving antique instruments. From a NYTimes Article:
Fausto Cacciatori, the curator of Cremona’s Museo del Violino, a museum devoted to musical instruments that is assisting with the project, said that each Stradivarius had “its own personality.” But, he added, their distinctive sounds “will inevitably change,” and could even be lost within just a few decades.
“It’s part of their life cycle,” Mr. Cacciatori said. “We preserve and restore them, but after they reach a certain age, they become too fragile to be played and they ‘go to sleep,’ so to speak.”
Engineers, hackers, and makers can most certainly build a musical gadget of some kind. They’ll build synths, they’ll build aerophones, and they’ll take the idea of mercury delay line memory, two hydrophones, and a really long tube filled with water to build the most absurd delay in existence. One thing they can’t seem to do is build a woodwind MIDI controller. That’s where [J.M.] comes in. He’s created the Open Woodwind Project as an open and extensible interface that can play sax and clarinet while connected to a computer.
One of the coolest things I’ve seen in a while. Believe it grew out of this project. Can’t wait to see what is created with this.
No more dealing with Conductors!
Cool music and sound, but what’s up with that neck??
Not sure why this guy doesn’t have his products all over the place.